Theme: 6. Arts, (Digital) Media and Culture: Creativities, Contestations and Collaborations
Annachiara Raia
African Studies Centre, Leiden University, Netherlands
Ben Arps
Leiden University, Netherlands
Ben Arps
Leiden University, Netherlands
Farouk Topan
Aga Khan University, United Kingdom
Annachiara Raia
African Studies Centre, Leiden University, Netherlands
Ben Arps
Leiden University, Netherlands
Clarissa Vierke
The University of Bayreuth, Germany
Silvia Neposteri
Universita degli Studi di Napoli L'Orientale, Italy
Verena Meyer
Leiden University, Netherlands
Insularchives: connecting Afro-Asia islanders’ distant cultural heritages
The history and cultural vibes of African and Asian cosmopolitan port cities like Dakar, Lagos, Tanger, Mogadishu, Mombasa and Mumbai, Singapore, Shanghai are common knowledge. What happens in the insular peripheries off Atlantic and Indian Ocean shores is not.
Islands are by definition isolated from the continental land masses, be it Africa or Asia. In the past, exile and imprisonment was typically to islands, while with today’s ease of communication, some come to be seen as sites of “paradises lost”. An interesting research idea we will explore in the present panel is that islands seem to connect more easily over sea with neighbouring communities. We propose to study Indian Ocean islands through another axis, as they forge a “republic of letters” of their own, by sea, detaching themselves from mainland-based nation-states.
This panel wishes to shed light on insular verbal and visual archives living in islands and archipelagos of the Indian Ocean, from East Africa (e.g. the Lamu Archipelago or Madagascar) to Southeast Asia (Java, Singapore). The axis we want to examine runs between global South and global South. What art forms (handwritten, oral/aural, printed, digital) circulate in such distant “significant geographies”* surrounded by the same Ocean, and what forms do not travel? For instance, how is poetry created, preserved, and perceived in remote areas? What factors (Islam, genealogies, trade etc.) influence how these islands co-create and relate to art forms? As islands, how much of their unique character do they owe to continental Africa, Asia, or both?
We are interested in understanding and comparing how local linguistic and artistic varieties and their idioms in literature and art carve out a sense of ‘islandness’ while also shaping islanders’ cultural history transregionally, in relation to the outside world.
We invite contributions that, applying such a theoretical outlook, showcase a researcher’s approach with islanders, to island traditions (e.g. festivals), skills (‘ajamī writing, musical styles), objects (manuscripts, amulets, photographs), and stories (riddles, songs, histories) which islanders value but whose impact has remained inconspicuous, which are less studied, on the verge of disappearing, or forgotten.
* “the conceptual, imaginative, and real geographies that texts, authors, and language communities inhabit, produce, and reach, which typically extend outwards without (ever?) having a truly global reach” (Karima Laachir, Sara Marzagora, and Francesca Orsini. 2018. “Significant Geographies: In Lieu of World Literature.” Journal of World Literature 3:290–310, at 294)
Presenter: Annachiara Raia – African Studies Centre, Leiden University
Presenter: Ben Arps – Leiden University
Presenter: Clarissa Vierke – The University of Bayreuth
Presenter: Silvia Neposteri – Universita degli Studi di Napoli L'Orientale
Presenter: Verena Meyer – Leiden University