Contextualising Africa’s Creative and Cultural Expressions and the Politics of (Non)Restitution of African Artefacts

Paper Abstract: Recent global call for racial balance and equality, headlined by the Black Lives Matter movement, did not only impact the race discourse, but also invigorated the campaign for the repatriation of cultural artefacts removed from their ancestral homes in Africa. Nonetheless, the restitution campaign has been mired in politics and other dynamics involving state and non-state actors. This paper explores the strategic role of contemporary African creatives in the campaign for, and discourse on, the restitution of looted African cultural heritage. It examines how Africa’s cultural and creative expressions challenge post-colonial positions while championing the reclamation of Africa’s cultural heritage and identity, especially in the context of the restitution of artefacts looted from Africa. Focusing on the works of 15 creative and cultural producers across West Africa, this study highlights how creative expressions raise awareness and set agenda for the restitution discourse and fosters a sense of ownership and pride among African communities. The research employs a mixed-method approach, combining qualitative interviews with creatives, cultural activists, as well as a content analysis of selected artworks, films, and literary works that address the themes of restitution and heritage reclamation. The findings suggest that, beyond legal and political frameworks, the arts offer a dynamic and influential space for engaging with the complexities and politics of cultural restitution. The study concludes that contemporary African art serves as a critical agent in advancing the restitution debate by reshaping public perception and contributing to the broader movement for justice and reparations